Category Archives: Interviews

VINTAGE CRUSADE Spotlight and GIVEAWAY: Alexandra Roxo and Mary Marie


mary marie movie poster

I am a huge supporter of independent films, perhaps because I just happen to have a screenplay tucked away in a drawer like pretty much everyone else in Hollywood! Plus I love the indie spirit and how talented people pool their creativity to bring stories to life on limited budgets.

alexandra roxoThat’s why this month I’ve put the Vintage Crusader Spotlight on Alexandra Roxo and her lovely indie film, Mary Marie.

Described as “guiltily enticing,” “an erotically charged yet gentle growing up film,” and “a competent and beautiful first feature by a new major talent,” Alexandra’s ethereal film was recently awarded Best Cinematography at the Brooklyn Film Festival Awards.

It tells the story of two sisters who return to their childhood home after their mother’s death for one last summer together and who become entangled in a steamy love triangle. And yes, one of those sisters is Alexandra herself, who not only took on the roles of Producer, Director and Co-Writer but who also Co-Stars with Alana Kearns-Green.

With a professional fashion photography and filmmaking resume that includes a recent stint as director of a short film for Suzanne Rae’s Fall/Winter 2011 Collection and film fashion projects with Vintage Mavens, Jill Lindsey, and Vanidades Magazine, Alexandra still clearly sees that “wearing vintage is a choice that supports not only fashion, but the environment.”

And while she’s busy promoting her film as it continues to show at festivals, she graciously found time to talk to Zuburbia about why she felt it was important to use vintage clothing in Mary Marie, how vintage fits into her own life and how important costume choices are for both actors and directors.

Tell me a little about your fashion background and how it influenced your decision to use vintage clothes for your film.

I have been an avid thrifter since high school and finding amazing vintage pieces for just a few dollars is something that makes me very, very happy.  When I think about the amount of thrift stores out there that are full of tons of clothes, it seems so wasteful to keep buying new to me…and it’s so great to find pieces that you know won’t be in other films or on other people. When you find a random dress from the 60’s you will probably be the only one wearing it. I’ve always been into fashion and paid attention to fashion photography and I used a lot of fashion photography as visual references for this film.
mary marie still 2
We made this film on a very, very tight budget and with a very specific look in mind and using vintage pieces fit into that budget and look. The house we shot at is full of antiques and family heirlooms and we wanted the clothes to reflect that so vintage seemed like a natural choice. We also wanted to create an ethereal, timeless vibe that you couldn’t quite place. Vintage clothes lent to that feeling of timelessness.

The film includes scenes that are familiar to many a fashionista like scavenging closets and playing dress-up. How do these scenes add to the story you’re trying to tell in Mary Marie?

The girls in the story are revisiting a family home full of history. There is something very nostalgic about going through family closets…it’s a way to tap into history.  When we shot the film we went through Alana’s grandmother’s closet. I still have some beautiful purses that Alana gave me that belonged to her grandma. And we’d open the purses and find little notes, dance cards, relics…In the film they are finding bits of history and symbolically bits of their own history as they pull on clothes and create a little world for themselves. They put on fancy dresses for outdoor picnics and campfires — it shows their childlike nature and accentuates the innocence that quickly is changed.
mary marie still 4The cinematography of the film has been described as lush and dreamy.  How did you select costumes to help add to this effect?

Yes, Magela Crosignani (our DP) and I worked hard on the feeling we wanted to create with the cinematography. Tim Linden, the production designer, and I also made decisions about color and texture in each location. And the costumes fit with that. In the bedroom of the two main characters, Mary and Marie, we decided to go for pastels and flowing white curtains, and it just so happened we had two vintage nighties that were pastel pink and blue. Most scenes are like that…the film is very, very visual.  It’s a quiet film and the production design, camera work, and costumes set the foundation for a simple story to take place in a very beautiful way.

You not only produced, directed and co-wrote the film but you are one of the leading actresses as well. As an actress, how do the costumes you wear help inform the character you create?

With the character of Marie I knew that certain dresses would be very important in certain scenes. For instance, my favorite costumes, I think, were the nightgowns that the girls wear. They wear the pastel blue and pink soft nighties in their bedroom and it’s all a very soft and gentle feeling that informed the characters in those moments. Mary and Marie feel safe and soft in that bedroom…and those costumes create a childlike feeling and also an intimacy. I chose each costume carefully knowing that the choice could inform the scene and character quite a bit. But really my mind is more of a director’s mind — so choosing a vintage bright green dress with big blue flowers to use in a scene in the lush forest where Marie and Peter go was more of the decision of a director putting visual pieces together.

mary marie still 2
Finally, where are your favorite places to shop for vintage clothing and what’s the favorite vintage item in your own wardrobe?

I love shopping for vintage when I go to Georgia (where I grew up) for holidays. It’s usually the first thing I do when I get there.  I don’t like going to vintage stores; I like going to thrift stores. The thrill of finding an amazing piece amidst a sea of clothes is my favorite part. My favorite item….well I have a few!  Last year I randomly picked up a purse at a thrift store and it was a new Bottega Veneta….worth $3,000 and completely real! I didn’t even know when I bought it. It just felt like leather and so I threw it in my cart. It was from a recent collection and thank God the person pricing things at the thrift store didn’t notice!  I also found a beautiful handcrafted-in-London trench coat last year that I had shortened for just a few bucks. And then there’s the Italian red leather pencil skirt….I could go on and on!!!  Finding well-made, beautiful things for just a few dollars is amazing. Such a better feeling than going to the Gap or Urban Outfitters…which I sometimes do, but it’s not nearly as satisfying as thrifting, or as cheap.

Thanks so much Alexandra. I couldn’t agree more!

If you’d like to view Alexandra’s debut film for yourself, you can catch it this Friday, July 22 at 8pm at Cinema Village in Manhattan as part of NewFest, NY’s premiere LGBT Film Festival. Click here for ticket information.

Or visit Alexandra’s website at alexandraroxo.com to see her short films and photography work or the official Mary Marie website to watch the film’s trailer.

Now for our GIVEAWAY!

Alexandra has signed a Mary Marie movie poster suitable for framing. All current Vintage Crusaders are automatically entered in the giveaway as well as anyone who leaves a comment or likes this post on Facebook. Contest ends Friday, August 22 at noon PDT.

(Know a Vintage Crusader who should be featured in the Spotlight? Nominate them with an email to [email protected])

VINTAGE CRUSADER SPOTLIGHT and GIVEAWAY: Bianca Turetsky and The Time-Traveling Fashionista


the time-traveling fashionista

bianca turetsky author pic

“A new dress doesn’t get you anywhere; it’s the life you’re living in the dress and the sort of life you had lived before, and what you will do in it later.” – Diana Vreeland

I love this quote from Diana Vreeland but what if…what if…a beautiful vintage dress could actually take you back in time?

That’s the situation that faces Bianca Turetsky’s heroine in her delightful debut novel for young readers, The Time-Traveling Fashionista, which is chock-full of time-travel, adventure, friendship and loads of gorgeous vintage fashion.

This amazing new series promises to keep young fashionistas spellbound as they join seventh-grader Louise Lambert on her time-traveling adventures, which will continue with the release of the second book of the series in April 2012.

So I’m especially pleased that, although hard at work, Bianca Turetsky took the time to chat with Zuburbia about her vintage clothing collection, about how this book is inspiring young girls around the world to be excited about vintage clothes, and about mom-daughter relationships.

When I was growing up, I can remember devouring the Nancy Drew series and I love that today’s young ladies can now read about the adventures of a young vintage fashionista. What inspired you to create Louise Lambert and take her on her vintage clothing adventures?

Ooh, I was such a huge Nancy Drew fan too! Thank you for that comparison!! The idea came to me about  5 years ago after visiting this amazing vintage shop in New Haven CT, called Fashionista Vintage and Variety. It’s owned by these two fabulous women, Todd and Nancy, who know everything and anything about vintage clothing. I tried on this pink party dress that belonged to a woman named Mrs. Baxter from Newport Rhode Island, and I couldn’t help but wonder what her life was like, what the last gala or fancy event was that she wore this to. Was she in love? Was she happy? And how in a way, her memory was being preserved through this garment.

sandra suy illustration for the time-traveling fashionistaIt’s a magical dress of rose-colored silk that transports Louise on her first time-traveling trip. Do you remember any particular clothing items that had real significance to you or that you associate with important events in your own life?

There’s quite a few, but most recently I wore a yellow vintage Fendi dress to my book release party. I think I started searching for that dress before the book was even finished, and it was perfect! I’ll always keep it. Some girls dream of their wedding dress, I grew up dreaming of what dress I would wear to my book party 🙂

This first book in the series transports us back to 1912 and the Titanic’s maiden and final voyage. Why did you choose that era for the first book in this series and can you give us any hint of future time periods that you might be featuring next?

I’ve always been fascinated with the Titanic, and this was a good excuse to really delve into it. And I tried to put poor Louise in the most dramatic situation I could think of! As for the next book, (which I’m just revising now!) I’ll give you a hint; I took an amazing research trip to Versailles and to Paris, the birthplace of haute couture. So Louise is going to have some sort of fabulous French adventure on the horizon!

The illustrations by Sandra Suy are simply fantastic and are a wonderful element of the book. Can you tell us a little bit about how you came to work with her and your thoughts on the role the illustrations play in helping to tell your story?

Aren’t they incredible?!  They were drawn by a fashion illustrator from Barcelona named Sandra Suy who none of us have actually ever met. Everything was done over email, she sent us illustrations and we corresponded like that. She totally got the tone and feeling of the book. She’s so mysterious, I feel like she’s a time traveling fashionista herself!

You have a wonderful companion website that is bringing together young fashionistas from around the world where you encourage them to “celebrate our differences, time traveling fashionista websiteembrace our similarities, and blaze our own sequined strewn trails.” What are you learning from all the lovely young ladies who have become your fashionista fans and the young ladies you’ve spoken to at schools around the world?

Meeting and hearing from these girls has truly been the best and most surprising part of the book. When you’re writing it’s such a personal and isolating experience, that to see the story really resonate with girls from around the world has been awesome. Even if they’re not as obsessed with vintage clothing as Louise (or myself :), everyone is trying to express their individuality, and yet wants to be part of a community. I remember how important books were to me at that age, and what a relief it was to recognize myself in characters, like “Thank god I’m not the only one who feels like that!” If I can provide that for one girl then I’ve done my job.

I fondly remember reading books with my daughter when she was younger and I love that you recently launched The Official Fashionista Mother-Daughter Book Club. Can you tell me what you hope to accomplish with the club and how you think mothers can best encourage their daughters to develop their own authentic sense of style?

I think that books are such a great springboard for larger discussions, and I know my mom and I read a lot together when I was growing up. I wish there was a Mother-Daughter book club we could have joined together! I’m very lucky and have an amazing mother who always encouraged me to be myself, even if that was in flux. If I wanted to wear men’s ties to school for a year (which I must admit I did) she certainly wasn’t going to say anything.

I understand that you are a vintage fashionista yourself.  Can you tell me a little bit about the favorite items you’ve collected?

sandra suy illustration for time-traveling fashionista 2One of my favorite things in the world is wandering around a flea market. If there is a heaven, I imagine it being something like a giant flea 🙂 I have a gorgeous collection of completely impractical vintage slips. And when I was in Europe writing the second T-TF book, I went to this amazing vintage store in San Sebastian called Marigorri and found a gorgeous long white tiered dress with handmade lace trim that looked like something Dolce and Gabbana made for last spring’s collection. The dress probably dates back to around 1910 — just the period I wrote about in The Time-Traveling Fashionista. It fit me perfectly, and I got a bit of a chill when I tried it on. It just seemed like some sort of sign that I was exactly where I was supposed to be. The fabric is so delicate that I’m afraid to wear it out of my apartment, but I love it.

In The Time-Traveling Fashionista, Louise confesses that if she could eat dinner with anyone it would be Lucille Duff-Gordon. Who would your fantasy dinner partner be?

It’s more of a personal answer, but I never met my grandparents on my dad’s side who were Jewish immigrants from Eastern Europe. They died before I was born and had such a vastly different and more difficult life than I do, only two generations later. I’d love to hear their stories and thank them for risking everything so I could have the luxury of a life where I can write about fashion.

I’m beginning to coach women who want to reach big goals in their lives and I find it inspiring that you completed this book by waking up a little bit early every morning and writing an hour a day.  So how many days did it take you to complete and what advice do you have for women who feel a book inside yearning to spring forth onto the page?  Are there any daily habits you practice that you feel contribute to your success?

Thank you! The book took over five years to write, which at the time felt like an eternity. For me, and I think many authors, writing is roughly 75% discipline and 25% inspiration. I knew the only way this book was going to get done was if I wrote something every morning, even if I’d rather sleep that extra hour (which was often!) So my advice would be don’t sit around waiting for the muse to strike, you need to show up at your computer and the inspiration will follow. Most of the time that I was writing The Time-Traveling Fashionista I didn’t have an agent, and definitely didn’t have a publishing contract, but I did it anyway, and that was how I knew it was going to be my life’s work. Even if I never got paid for it. I feel incredibly lucky that the book eventually did find a home at Poppy, and that they did such a great job with the final product. But even if I’m not working on a particular project, I still write every day, and that will be a lifelong habit for me!

Now for our GIVEAWAY:the time-traveling fashionista

To enter to receive a FREE copy of The Time-Traveling Fashionista, just retweet this interview (see button above) or leave a comment below or on Facebook that shares what city and year you would travel to if you were a time-traveling fashionista!

Or just grab your own copy now:

HARDCOVER – $12.23

KINDLE EDITION – $9.99

GOOD LUCK EVERYONE!

CONTEST ENDS Friday June 24th at noon PDT.

Zuburbia Chats with Celebrity Stylist Annabel Tollman


annabel tollman headshot

annabel tollman logo

” You Can Have Anything You Want In Life If You Dress For It” – EDITH HEAD

This quote, posted on Annabel Tollman’s website, summarizes the philosophy of this talented celebrity stylist and eBay Fashion Contributor. Born in Brussels and raised in New York and Los Angeles, she was sketching fashion designs from magazines even as a young girl. Studies at Central St. Martins paved the way to editorial positions at Wallpaper, Maxim Fashion and Interview Magazine.

And her resume doesn’t stop there.

Celebrities she’s dressed include Scarlett Johasson, Mary-Kate and Ashley Olsen, Cynthia Nixon and Jessica Simpson.

Brands who’ve recruited her consulting services include bigwigs like Moschino, Albert Ferretti and Chloe.

Clients who’ve tapped her styling genius include Nautica, Van Cleef & Arpels, and L’Oreal.

And most recently, as if she’s not crazy-busy enough, this super-stylist has been tapped by Fashion.eBay.com to tweet, curate and post videos for their new fashion destination that allows hip fashionistas to browse 19 million listings by style, brand, boutique, category and trend.

And wonder of wonders, Annabel must have found a way to squeeze some extra minutes into a 24-hour day because she graciously chatted with Zuburbia recently about Red Carpet fashion, shopping for vintage on eBay and this Spring’s top trends.

Before your celebrity styling days and before your affiliation with eBay, you were just 26 years old and senior fashion editor at Interview magazine. What advice for you have for anyone hoping to hit the ground running in the fashion industry and eventually achieve similar success?

In fashion (as with any profession at all) you have to work VERY hard. If you just want to be famous or have a glamorous life then there are much easier routes to that end than the fashion industry – those things can be a by-product of success but are not an end goal in themselves. Decide what you want to do or who you want to be in 10 years and what you are going to give in exchange for it. Don’t be afraid to approach people you want to work with and tell them that you admire their work  – flattery opens a lot of doors!

annabel tollman quote 2It seems every young fashionista I talk to gushes about how he or she dreams of being a celebrity fashion stylist. Why do you think your job holds such appeal and is it as glamorous as it appears?

I think that celebrity styling has become much more visible in the past few years hence its explosion into the public consciousness. When I was studying fashion at St Martins, everybody wanted to be a designer, stylist or journalist. It’s just another phase and I’m sure that everybody will want to be a blogger before long. And no job in fashion is as glamorous as it appears – our job is to create illusions, create fantasy – there is always a backstage at any theatre.

You are most definitely a Vintage Crusader and you often integrate vintage into your own personal wardrobe and that of your styling clients. Where did your love for vintage begin and where do you see its place in the fashion spectrum?

Vintage always used to terrify me – all those drag queen karaoke sequinned shifts and bad prom dresses seemed so repellent. It wasn’t until I found my vintage era and how to make vintage shapes work for me that I really started wearing a lot of it. The main thing that I love about vintage is all the amazing workmanship – the covered buttons and tiny buttonloops, the hand-beading, the cut-work, the embroidery. I think that vintage is becoming more and more important in the fashion spectrum, not just for reference or design purposes but for actual wearing. I think consumers are getting to know how and where to shop for vintage finds and that it’s a great way to add some flair and a unique touch to their wardrobes. Online shopping has really opened up the possibilities too – no secret how much i love to trawl eBay for vintage wonderfulness!

What are the absolute favorite vintage pieces you have sitting in your closet right now?annabel tollman quote 1

I’m really feeling the 20s and 30s right now – Baz Luhrman is filming his version of The Great Gatsby and I think that it’s going to have a massive impact on those eras making a resurgence in our wardrobes. I bought a ’30s black wool dress with black bugle beads – I’ll wear it belted and with long purple suede Louboutin boots. I also recently bought a hat from the ’60s by Oleg Cassini which is sort of like an exaggerated riding hat and looks brilliant with my Alaia coat.

There are so many amazing vintage evening gowns and I am always disappointed to see such a lack of vintage represented on Red Carpets. Why do you suppose that is?

I use quite a lot of vintage for Red Carpets oddly enough! I do think there are a couple of factors that limit the amount we see: The dresses have already been altered or shortened so if you’re tall then if the dress has been chopped off to fit somebody petite, tough luck because there’s no calling to get more fabric. Another factor is that there are only a few vintage vendors who will lend vintage for red carpet. Most will want to sell the dress, which obviously isn’t really an option when every designer is throwing a one-off gown your way. Additionally, there are only a certain number of vintage dresses out there!

ebay fashion iphone appThese days, in addition to styling, you’ve taken on a new role as a spokeswoman for eBay Fashion. Each week I look through thousands of listings to curate my eBay Roundup Of Vintage Clothing Finds and it’s very time-consuming. What tips and tricks do you have for finding the hidden gems among eBay’s bazillion fashion listings?

I have to confess that I spend many hours on the site each week. I love the eBay Fashion iphone app because you can really pinpoint what it is that you are looking for in fashion terms – era, piece, color, size, which speeds through the millions of listings (and you can also virtually try-on pieces and curate your virtual closet!).

As a regular eBay customer yourself, what are your biggest pet peeves among sellers? What do you look for in a seller with whom you do repeat business?

I haven’t really ever had a problem with sellers, as such, but I have bought things that don’t fit – either I don’t read the measurements properly or else I imagine that I am thinner than I am. I do of course look for Top Rated Sellers, but eBay has Buyer Protection which means a safe shopping experience regardless.

What do you see as Spring’s key trends and what keywords should savvy vintage fashionistas be using to search eBay for key spring wardrobe pieces?

I love the return to grown-up clothes rather than the slouch that has become de rigeur of late. I think “blouse” “silk” and “trousers” are all great search terms. The bold explosion of color is really exciting…”tangerine” “cobalt” “fuschia” and “chartreuse” should do the trick.  Lastly, the restraint of the minimal look is so refreshing. “Celine” would work really well for new designer apparel, or there are amazing vintage “’90s” pieces from “Helmut Lang” and “Calvin Klein” and “Prada”.

Finally, where can we look forward to seeing your work in 2011? Anything in the pipeline you can talk about?

I can’t say anything yet because I dont want to jinx it, but there are very very exciting things happening in 2011. Stay tuned!

We most certainly will! Thanks so much for chatting.

You can read more about Annabel on her website at AnnabelTollman.com or at eBay’s FashionVoice.

Zuburbia Chats with The Jacques Levine Company


jacques levine 4 generations

The Jacques Levine brand has consistently produced comfortable and elegant women’s footwear since 1936 and has now welcomed its fourth generation into the company business. Sam Calvanio, Jacques Levine’s grandson, recently joined the company after the untimely death of his Uncle Harry Levine and is planning a significant revitalization to the brand while still honoring the company’s traditional roots.

jacques levineAnd Sam has quite a mentor! His 88-year-old grandfather, Jacques, shown here as a lad in his army uniform, has done just about everything there is to do in the shoe industry. At the young age of 14 he was cutting materials for his father, Falk Levine, in his Middletown factory. From there he went on to produce dancing shoes for A Chorus Line on Broadway and to design a slipper collection for Christian Dior.

And now this Grandfather and Grandson duo is working side-by-side and boy, have they been busy! They’ve already re-launched the company’s e-commerce site, they’re working on a new collection for 2011 and Sam has even persuaded his grandfather to start blogging!

Somehow, somewhere in his hectic schedule, Sam found the time to talk with Zuburbia about vintage shoes, his company’s long history in the shoe trade and how a commitment to quality creates the most sustainable shoe.

A few months ago, you joined the Jacques Levine company and you are now working side-by-side with your 88-year-old grandfather. What prompted your decision to join the family business now and what’s it like working with him?

I think over the years slippers became really boring and cozy. I don’t think anyone has too strong a preference for slippers and I wanted to see if I could bring back the notion of elegance in home footwear. Also, having always admired my grandfather’s charisma, sense of style, and ability to run a family business, I felt a strong drive to see if I could continue his legacy.

I enjoy working with him a lot. He knows so much about footwear construction, and traveled the entire country selling his slippers and shoes. He has an encyclopedic knowledge of all of the local shoe stores that he visited over the years. I really enjoy drawing from his experience.

You and your grandfather are hard at work on a new line of slippers and flats for 2011. What can you tell us about what’s in store for this 4th Generation Collection and when and where will we be able to find it?vintage ad with jacques levine shoes

We just finished designing the slipper collection and will have those ready by August of 2011. We worked with a great up-and-coming designer who helped us draw from our archives to reinterpret the notion of slippers for the next generation of customers. We have sold our slippers in Neiman Marcus and other independent lingerie boutiques for decades, and once our new collection is finalized, I’m hopeful our existing clients will sell them.

marilyn monroe in jacques levine mulesIn 2008, the Jacques Levine Blaze Mule was named one of the 50 Most Iconic Shoes by Footwear News. What was it about that particular style that you think resonated with women and the fashion community?

The clothing that Marilyn Monroe is wearing in an image that I posted on Vintage Jacques epitomizes the image of a seductive outfit that everyone has in their mind. The Marabou Mule is such a key element of the sexuality behind that outfit. Even today, if you go into a high-end lingerie store like Agent Provocateur their employees wear high-heeled mules. I think in some ways the recognition that the Blaze has received is more an appreciation of the role it plays in a classical seductive outfit.

Your Middletown factory used to produce a “Schiaparelli Collection” with designs by Elsa Schiaparelli that were sent to you from Paris. Are there any “dream” fashion designers who you or your grandfather would welcome working with today?jacques levine vintage margo mulette - schiaparelli

I think if you asked my grandfather, he would say that Schiaparelli’s designs are still relevant today and that his dream would be to re-launch a line of her old designs.

I’m personally daydreaming about a current collaboration that I am working on with a vintage-inspired lingerie line that should be launching in the summer of next year. To me it’s more relevant for our brand than collaborating with a modern designer of Schiaparelli’s caliber. The brand draws on bedroom glamour from the 40s and 50s and we are hoping to reproduce slipper styles from that period that complement their lingerie designs.

Your have helped your grandfather set up a delightful blog, Vintage Jacques, where he shares his musings on slippers, shoes and style, and where you plan to weigh in occasionally as well. How has blogging and e-commerce changed your business?

jacques levine show blogI think with almost any name that’s been in the market for decades, it’s easy to assume that the person behind the name is either fictitious or is no longer alive. I personally love being able to share my grandfather’s voice with the people who love his slippers. Also, with shoe manufacturing having left the U.S. over the last few decades, I think it’s important that we document the experience of American shoemakers and I think my Grandfather’s blog posts are part of that. In the spirit of total transparency, my Grandfather does not actually produce the blog posts. He handwrites them and I post them to the web with as little editorial adjustment as possible. I knew he was starting to enjoy blogging when he started writing about himself in the third person.

Is there a favorite anecdote, “shoe story” or adventure with the company that you can share?jacques levine feather mule

When I was a Freshman in College I helped my Grandparents at the WSA shoe show in Las Vegas and the Blaze had just been featured on Sex in the City. A fashion editor from YM wanted to use it for a photo shoot, but my Grandfather had never heard of the magazine and he didn’t want to give her a pair for free. I overhead their exchange and pulled him aside and told him that while YM may not be a leading fashion magazine, that it was still very big (at the time) with teenage girls. We agreed that if she didn’t return the shoes after the photo shoot that I would pay for the shoes myself. I have the picture from the magazine in my office and the editor did return the shoes.

Any current or future plans to help “green” the shoe industry?

I think the biggest issue in terms of environmental responsibility facing the shoe industry is not related to the manufacturing process in particular. I think Fast Fashion reduces the quality of footwear, and encourages a throw-away culture that produces a lot of waste. I think the most sustainable shoe is the shoe that’s already been made and that if we focus on making a better quality product that there will be fewer broken heels filling our landfills.

So true! So true!

And now a Special Offer:

Ladies, if you’d like to grab some of the timeless Jacques Levine quality and style for your own, just head on over to JacquesLevine.com and use Code: zuburbia20 at checkout to receive 20% off an order of $150 or more. Offer expires 12/31/10 and there’s always Free Shipping!

(All Photos Used With Permission from The Jacques Levine Company)

Zuburbia Chats with LuciteBox


lucite box logo

lucitebox.com

You know how much I loooooove chatting about vintage so today I’m thrilled to share my recent chat with Holly Rhode of Lucitebox.com (who also happens to be one of this month’s sponsors).

This one-woman show has a passion for vintage that knows no bounds and that passion is clearly evident in our interview:

Do you remember your very first treasured piece of vintage clothing?

When I was about fifteen I found a leopard-trimmed dress in my grandmother’s attic. I tried it on and it fit like a glove. She asked me if I wanted to keep it and it’s been with me since the ’80s.

The dress is a very form-fitting, wiggle-style dress with a back that is fully pleated from yoke to waist. That contrast between the body-conscious fit and all those pleats in the back is simply amazing!

I love this dress because it’s so representative of the era and my own history. My grandmother, Vivian, was a farmer and an avid outdoors woman. Most often she wore work clothes, but when she went out, she dressed to the nines.

She made most of her own clothes and tailored them to fit her perfectly. She may not have invented the term “wiggle dress” but she certainly knew how to wear one!

I like to think about my grandmother wearing this leopard-trim dress. She must have been quite a sight in rural Wisconsin!

With one glance, this dress brings back a flood of memories of being at the farm with her. It’s funny how clothes can do that sometimes…just seeing something reminds you of an exact time and a specific place.

lucitebox leopard trim vintage dress

I believe that vintage dealers aren’t born. They’re made. What’s the story of how you turned your love for vintage into a business?

I used to be the national sales manager for a small start-up company that grossed about $5 million the year I left. One of the things I loved about that job was that it involved a lot of travel to trade shows where I typically wore vintage. I was getting compliments on my outfits and was delighted by the way my clothes seemed to attract customers. There were times I’d find myself in the booth at the show talking more about a vintage dress I was wearing than the things I was supposed to be selling!

In the back of my mind, I knew that I wanted to do something that parlayed my love of fashion and old clothes and selling things into a job.

Like a lot of dealers, I got my start selling on eBay. A friend of mine had just started to buy vintage on the site and made it seem like it was an exciting place to do business. Once I started selling there, I became more fluent in the language of clothes. I learned how to write about them and I became more internet savvy. I began to think more and more critically about what I chose to offer and how I displayed it. It seemed a natural progression to start a site dedicated to highlighting my taste and aesthetic.

What I didn’t know back in 2001 was that I’d eventually connect with a group of vintage aficionados on the internet who are just as passionate about vintage and ethical business practices as I am. The folks I met ten years ago profoundly influenced how I do business. Also very important was meeting my designer and web developer who make what I do online look the way I like it to look. I’m really lucky to call them my friends, too. They’ve done such a great job designing my website.

vintage dress 1How is the vintage market today different than it was a decade ago?

I’m astounded by the number of vintage websites that are out there!

Many of the vintage dealers who I first met on eBay have launched their own sites. I like knowing that there’s enough room for all of us on the internet. There’s a lot more to see and a lot more to digest today than there was when I first started buying online.

Wherever you buy vintage, it comes down to supply and demand. Supply decreases as the demand increases. And that scarcity is reflected in prices. As a dealer, escalating prices should sound attractive, but what it says to me is that good stuff is getting that much harder to find than it was ten years ago. I don’t know a single vintage or collectibles dealer who doesn’t have a story that starts out with something like, “Back when I first started buying, you could buy a dress like this for a lot less…”

Perhaps now, more than ever, “buy it when you see it” seems like sound advice.

How do you think the vintage market will look a decade from now?

I think there will always be women who want quality, wearable vintage. I am doing now exactly what I was doing when I started to buy for resale ten years ago. I use the same criteria to cater to my market as I do to “stock” my own closet.

I want things that are special. I want them to be highly representative of the era they’re made, and, at the same time, I want clothes that fit comfortably into a contemporary wardrobe. And I want a few statement pieces, too.

Women want to look good and feel good when they buy clothing. These days, there seems to be a lot more attention to styling a garment and mixing it into a modern wardrobe. I think that idea of understanding how to meld the old with the new is going to continue to be crucial in keeping the vintage market fresh.

You offer your goodies through an online venue. What do you think are some advantages to shopping for vintage online?vintage dress 2

Most of us don’t have the time or money to run around the world on a treasure hunt. One major advantage of the internet is that there’s a huge variety of vintage at your fingertips.

What’s more, you can find proprietors who you trust and respect. Have that person do the legwork for you. I can’t stress this enough: if you find a dealer you like doing business with (whether online or in person) go back and see them again!

My stock changes regularly and when I get to know you and your style, I’m happy to cater to your taste.

What advice do you have for vintage newbies?

If you’re new to vintage, it’s important to know your body and know what looks good on you. Don’t be afraid to experiment!

Add a few separates, a good dress (or seven), and a great coat (or thirty in my case!).

Find a store or an online venue who specializes in the style you like. Be sure you know your measurements if you can’t try on the garment and, lastly, find a good seamstress who can tailor things to fit you.

Any advice for experienced vintage fashionistas?

One of the things I like about the Zuburbia blog is that we share the same tenets. Some of the best things I have are the things that I can pull out of my closet in five or even ten years and know that they’ll still look stylish.

Invest in things you love. Buy for longevity. You will not be disappointed.

vintage dress 4Finally, if you could collect one designer, who would it be and why?

Ask me today and I’ll tell you Dior. Ask me tomorrow and I’ll tell you Adrian. By Friday I’ll be in love with Cashin. Next week it’s going to be Moschino.  In a few days, I’ll be totally into Patou. Then I’ll be on to Valentina.

I can only tell you this — I love a lot and if I were collecting, I’d never be able to focus on one designer. There are so many amazing vintage things in the world. I don’t think there’s ever a day when I don’t feel inspired by vintage clothes.

Well your passion shows through loud and clear. Thanks so much!

Quite an interview, right?

I’m hope you find it as inspiring as I did. And now the good news.

Holly’s clothing is so affordably priced that she seldom offers additional discounts but she has graciously extended a special offer to Zuburbia readers. From now through Tuesday October 26 take 20% off any regularly priced item at LuciteBox with the promotion code: GOTTAHAVEIT

And while you’re there, be sure to sign up for Holly’s mailing list or become her friend on Facebook.

P.S. Who would you like to get to know better in Zuburbia’s next chat? Drop me a line at [email protected].


© Mary Kincaid 2006-2009
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